Wednesday, 10 September 2014

Photographs for Photokina on Latest Fibre Based Ilford Papers

Ilford Photo asked me if I could provide prints with my images on their 3 new fibre based Multigrade papers for Photokina. This is the worlds largest photo and imaging fair, held every 2 years in Cologne in Germany (Tuesday 16th to Sunday 21st September 2014). My prints will be the only prints on display to promote these new papers. It feels quite a privilege to be asked to both make the prints and use my images.

In June Ilford supplied a box of 50 sheets of each paper, the window mounts and the frames. I printed my photographs and mounted onto conservation card as usual and then finished the framing, all signed on the print and on the window mount as usual.

These were all printed on 24 x 20 inch paper with images of 56 x 46cm (sorry about the mixed units but the paper is supplied in inch sizes and the images were in metric narrow black aluminium frames of 80 x 60cm). From each box 1 sheet was cut into test strips and I used 4 or 5 sheets to make the print for Ilford and a couple of spares in case of any problems when it came to the print finishing (not needed as it happens, all was fine).

Photokina is now almost here so it's time to show the 3 pictures.

Here are the 3 photographs on the new Ilford Multigrade FB papers framed and hung on our gallery wall. All of the original photographs were taken on Mamiya 7 cameras with Ilford FP4 120 film developed in Ilford Ilfotec DDX film developer diluted 1+6 for 9.5 minutes.

Print details:
The prints were all developed in Ilford Multigrade developer at 1+4 dilution for 2.5 minutes, then the usual Ilford Ilfostop stop bath at 1+19, Ilford Hypam 1+4 fixer, water rinse, Ilford Washaid for 30 minutes then final wash.

All are split grade prints, the only technique to use for creative printing with Variable Contrast papers such as the Ilford Multigrade range. In my view single exposure prints and pre-flash are old-style techniques for graded papers.

My prints are realistic to what I saw at the time I pressed the shutter button. The small amount of manipulation that I use is purely to compensate for small areas of brightness and shadows that need help to be rendered realistically.

The Photokina set of prints


Spanish Steps at Night, Rome
Taken in December 2013 at night after a rain shower cleared the steps of people. Taken with the 43mm lens and a 6 minute exposure at f16 which removed most of the people walking across the view, just the odd bit of ghosting!
Night shots work well on FB glossy and the new Classic seemed sharper and even easier to work with than MGIV FB, my usual paper.
Printing: main exposures 14.5s grade 1/2, 3s grade 5
minor tweaks: +15s grade 0 bright wall on right, +5s grade 0 top of fountain.


Leadenhall Market in London at night. 
This is used as a covered footpath and is a busy arcade during the daytime and early evening, especially weekdays. Taken late evening on a Saturday in March 2011.
Warmtone paper is great for old architecture such as this. This was probably my favourite of the set, it looks great on the Warmtone paper.
Printing: main exposure 12.5s grade 1 with -3s to cobbles, 10s grade 5
minor tweaks: +10s grade 0 left hand roof bright area.


Wolf Creek View, Colorado
Snow covered trees and the view to surrounding hills from the ski area in southern Colorado with the greatest snowfall in most winters (about 12m), January 2011. An orange filter was used to darken the deep blue sky.
Cooltone with its blue-blacks was chosen to match the cold snow and ice of the main subject.
Printing: main exposures 5.4s grade 1 with -1s bottom left and -1s peak, 7.8s grade 5
minor tweaks: +1.5s grade 0 bottom right

...and here it is in the dish being processed.


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